tag:blogger.com,1999:blog-42092976607125388072024-03-12T22:18:04.812-07:00Paul RinaldiEncaustic Paintings, Acrylic Paintings, Drawings, Photography.Paul Rinaldihttp://www.blogger.com/profile/01623706487089863027noreply@blogger.comBlogger12125tag:blogger.com,1999:blog-4209297660712538807.post-19695500642812639252014-10-18T14:18:00.002-07:002014-10-18T14:18:52.705-07:00Studio Groupings 2014<div dir="ltr" style="text-align: left;" trbidi="on">
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<i><b>Parting Ways and New Beginnings</b></i></div>
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Earlier in the year, as I was preparing for a move and winding down my studio in the attic of an 1896 home that was once home to Ernest Heminway's uncle George, I took time to assemble and consider groupings of both older and new encaustic paintings. I'm intrigued by the conversation that occurs within a work and between individual pieces as they interact in space.</div>
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Paul Rinaldihttp://www.blogger.com/profile/01623706487089863027noreply@blogger.com0tag:blogger.com,1999:blog-4209297660712538807.post-51550923118463629402012-06-09T19:55:00.001-07:002012-06-09T19:58:25.358-07:00Multi-Panel Pieces<div dir="ltr" style="text-align: left;" trbidi="on">
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New group pieces...</div>
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After working through the winter investigating new works on a small scale, I've recently completed several new multi-panel pieces. Here are the first 3 to be completed.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRC-vo66k4H4mef3QXV2x4jDiaE8hMV7b2ZdiEXIH4giuXRbr_88-e1miuvf3hsBIS0fjvM8r5VsvEWX8lRkInX2s6P5xjB8g-Qf5v93FUWQ8AhtQgRehs1ArRFDlXc0qQuK4IS8wQ3C16/s1600/Rinaldi,+Prelude+no.+1,+encaustic,+34+x+46+in.,+2012.w.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="253" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRC-vo66k4H4mef3QXV2x4jDiaE8hMV7b2ZdiEXIH4giuXRbr_88-e1miuvf3hsBIS0fjvM8r5VsvEWX8lRkInX2s6P5xjB8g-Qf5v93FUWQ8AhtQgRehs1ArRFDlXc0qQuK4IS8wQ3C16/s320/Rinaldi,+Prelude+no.+1,+encaustic,+34+x+46+in.,+2012.w.jpg" width="320" /></a> </div>
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<i>Prelude no. 1</i>, encaustic on 12 panels, 34" x 46", 2012</div>
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<i>Winter Light</i>--A reflection on the first signs of a thaw in winter...growing movement, shifting, a pushing through to new life and beginnings...<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxOpxW0gYhT1fEQt420LGRqapEeSSicGsjqaA7Dq23i_Q_Z-aPpWjw0e4KUXFIfqzC4ucldwxOLsERAJ9Ox-gdtJM0OY8ewe2n3bfHRu8qhtCMu4w9sCnjtVAZ46O1tBcS2EUwauwDW_vL/s1600/Rinaldi,+Winter+Light,-Perimeter-encaustic--52+x+66+in.,,+2012.e.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="273" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxOpxW0gYhT1fEQt420LGRqapEeSSicGsjqaA7Dq23i_Q_Z-aPpWjw0e4KUXFIfqzC4ucldwxOLsERAJ9Ox-gdtJM0OY8ewe2n3bfHRu8qhtCMu4w9sCnjtVAZ46O1tBcS2EUwauwDW_vL/s320/Rinaldi,+Winter+Light,-Perimeter-encaustic--52+x+66+in.,,+2012.e.jpg" width="320" /></a></div>
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<i>Winter Light</i>, encaustic on 20 panels, 52" x 66", 2012</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoiTYo0mN_-P74B9ZDKhuBhfeQ7RdkZRSpi7orVS83LAsnTZcr-0WD463lfipa6uFqe72OxNbjTM7LzMiTz6Nnq8F0u6ipSjeTxgQWTQ6RVtkfLvcJQTRJlgim6mfJl6V9gfQ7YGovdlrZ/s1600/Rinaldi,+Prelude+no.+2,+encaustic+on+panel,+46+x+36.5+in.,+2012.w.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoiTYo0mN_-P74B9ZDKhuBhfeQ7RdkZRSpi7orVS83LAsnTZcr-0WD463lfipa6uFqe72OxNbjTM7LzMiTz6Nnq8F0u6ipSjeTxgQWTQ6RVtkfLvcJQTRJlgim6mfJl6V9gfQ7YGovdlrZ/s320/Rinaldi,+Prelude+no.+2,+encaustic+on+panel,+46+x+36.5+in.,+2012.w.jpg" width="252" /></a></div>
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<i>Prelude no. 2 </i>(After Debussy's Prelude to the Afternoon of a Faun)</div>
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encaustic on 20 panels, 46" x 36", 2012</div>
<br /></div>Paul Rinaldihttp://www.blogger.com/profile/01623706487089863027noreply@blogger.com0tag:blogger.com,1999:blog-4209297660712538807.post-64071262889198780732012-05-11T13:02:00.004-07:002012-05-11T13:02:34.031-07:00New Encaustic Paintings<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMgeFS-IUZNhSPQNWnAgvL2hgsdbm2byHyGd_aZA2PFRiBZjm4To8Fv9J1-EDULFfy4psNpMMF5yZifYAyvnop_34_ndEA074AS4fmJpPIa87JPK2OPAV8v7BLIUFqb6AX09ozSlWHs_3E/s1600/Rinaldi,+Etude+no.+27,+encaustic+on+panel,+12.5+x+26+in.,+2012.e.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMgeFS-IUZNhSPQNWnAgvL2hgsdbm2byHyGd_aZA2PFRiBZjm4To8Fv9J1-EDULFfy4psNpMMF5yZifYAyvnop_34_ndEA074AS4fmJpPIa87JPK2OPAV8v7BLIUFqb6AX09ozSlWHs_3E/s400/Rinaldi,+Etude+no.+27,+encaustic+on+panel,+12.5+x+26+in.,+2012.e.jpg" width="400" /></a></div>
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<span style="font-size: 13px;">Etude no. 27, encaustic on panel, 12.5 x 26 in., 2012</span>
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This winter, I've been working on a large series of smaller panels--diptychs and triptychs that I call <i>Etudes</i>. The smaller scale has allowed me to experiment and play with color, visual structure, and with process. These <i>Etudes, </i>or studies,<i> </i>have opened new territory, and I'm not working on larger groups of panels and some very new experiments. More to come as new work is complete and photographed.<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_ke8nMupEk8a3auhp5-T8nvtIdDpAnupA4JQsA2mcyFOoblWVDQ2Ix3HYLwnAKsJTh9fslEVTmHRUA1kVxJSa_4pbVwiOy20asZaWr_eJ5xVL-UO1ZE05s7OZ4ljAUfRz4JA7fiAlxAhV/s1600/Rinaldi,+Etude+no.+10,+encaustic+on+panel,+8.2+x+16.2+in.,+2011-12.e.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_ke8nMupEk8a3auhp5-T8nvtIdDpAnupA4JQsA2mcyFOoblWVDQ2Ix3HYLwnAKsJTh9fslEVTmHRUA1kVxJSa_4pbVwiOy20asZaWr_eJ5xVL-UO1ZE05s7OZ4ljAUfRz4JA7fiAlxAhV/s400/Rinaldi,+Etude+no.+10,+encaustic+on+panel,+8.2+x+16.2+in.,+2011-12.e.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Etude no. 10</i>, encaustic on panel, 8.2 x 16.2 in., 2011-12</td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><i>Etude no. 17</i>, encaustic on panel, 10.2 x 16.2 in., 2012</td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><i>Etude no. 21</i>, encaustic on panel, 16 x 8 in., 2011-12<br /><br /></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiw7hKg8VSzmAGxZJ6uEW4QdvWD0jk6bQ7nu4la_vGa0qhKAwMkW6XOIXSoiQHE9D6Cb7WnjEVj7CUs0UU3ZdqDE-yHMRbqd76jYUD9lLKs1ZE1s08WMa3NtKLCkn5T1hSzceHLE8KSEnx/s1600/Rinaldi,+Etude+no.+1,+encaustic+on+panel,+8.2+x+16.4+in.,+2011.e.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="217" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiw7hKg8VSzmAGxZJ6uEW4QdvWD0jk6bQ7nu4la_vGa0qhKAwMkW6XOIXSoiQHE9D6Cb7WnjEVj7CUs0UU3ZdqDE-yHMRbqd76jYUD9lLKs1ZE1s08WMa3NtKLCkn5T1hSzceHLE8KSEnx/s400/Rinaldi,+Etude+no.+1,+encaustic+on+panel,+8.2+x+16.4+in.,+2011.e.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Etude no. 1</i>, encaustic on panel, 8.2 x 16.4 in., 2011<br /><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-gfX5D_JvRHt41vb5xMfie2dSVH6qB7t4avX7QmOS9bqFnIqq-9OU735qRUtFX8b_bt0etuX8XxdfPyH3h5ZgT4MEtKlu1ubsR0xvPI7sRHFGdt5lFWUEVA64o73ypAnseIBIa7r9A-Kw/s1600/Rinaldi,+Etude+no.+6,+encaustic+on+panel,+16.2+x+8.2++in.,+2011-12.e.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="color: black; font-size: x-small;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-gfX5D_JvRHt41vb5xMfie2dSVH6qB7t4avX7QmOS9bqFnIqq-9OU735qRUtFX8b_bt0etuX8XxdfPyH3h5ZgT4MEtKlu1ubsR0xvPI7sRHFGdt5lFWUEVA64o73ypAnseIBIa7r9A-Kw/s400/Rinaldi,+Etude+no.+6,+encaustic+on+panel,+16.2+x+8.2++in.,+2011-12.e.jpg" width="208" /></span></a></td></tr>
<tr><td class="tr-caption" style="font-size: 13px;">Etude no. 6, encaustic on panel, 16.2 x 8.2 in., 2011-12</td></tr>
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<br /></div>Paul Rinaldihttp://www.blogger.com/profile/01623706487089863027noreply@blogger.com2tag:blogger.com,1999:blog-4209297660712538807.post-50507094716907103742011-08-26T11:23:00.000-07:002011-08-26T11:23:45.055-07:00Kröller-Müller Museum, Netherlands<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvx8vuBic2novsZzdiKQ6OLdhe97c_7xlvgK-vI6-KDyl4niyuywhd22IM-t5h3UDunNGODfH1Q0DCqjSblFQQaY1i0E2YAbAasvjR6PfrFppofs0gF7KYoG0WEfyrlitGEDKDAi0g0lYF/s1600/IMGP1341.e.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="304" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvx8vuBic2novsZzdiKQ6OLdhe97c_7xlvgK-vI6-KDyl4niyuywhd22IM-t5h3UDunNGODfH1Q0DCqjSblFQQaY1i0E2YAbAasvjR6PfrFppofs0gF7KYoG0WEfyrlitGEDKDAi0g0lYF/s320/IMGP1341.e.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Anselm Kiefer</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqExBC9forsNuDZcvnuV_kCbIUuow02YxTnGKs6kgeLCiMdlnTYONzj4QPZWOcwiBdOxOGrV19tilLHkdo3VQw6CP3MC-Q4wdFl_X6PSA8FmBbA403LcNnoPXQ_7QS9F-_ZfliXdjqS_xk/s1600/IMGP1387.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqExBC9forsNuDZcvnuV_kCbIUuow02YxTnGKs6kgeLCiMdlnTYONzj4QPZWOcwiBdOxOGrV19tilLHkdo3VQw6CP3MC-Q4wdFl_X6PSA8FmBbA403LcNnoPXQ_7QS9F-_ZfliXdjqS_xk/s320/IMGP1387.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Garden</td></tr>
</tbody></table><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhed6U8LceS6e-xHnV8mAQ6ZjgyAtSFQ-GOugxMOd0zlLAVckyNdHDamzFRTOZ7vbXh9gKssfuy4dxsYAn01Drm6_lbfseCNT_WXm5kRhERJ4UgYUZC-zdSEUfaig58YXXJ4ucOfm116lS0/s1600/IMGP1388.e.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhed6U8LceS6e-xHnV8mAQ6ZjgyAtSFQ-GOugxMOd0zlLAVckyNdHDamzFRTOZ7vbXh9gKssfuy4dxsYAn01Drm6_lbfseCNT_WXm5kRhERJ4UgYUZC-zdSEUfaig58YXXJ4ucOfm116lS0/s320/IMGP1388.e.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">We met a friend for lunch.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTe4xnYkdPbGmQI9Lsz1-PEiuXMGwzeuXmvOs_myeF0EAfPsMqk-hIsybxk7-HnZaNWVUP_wPdnml0T6F0crGhYHMrge8zOLam6LU2LLJBiLsXfqaQU5R8SJl0iwUwuxQvZYAebQo_GOF9/s1600/IMGP1391.e.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTe4xnYkdPbGmQI9Lsz1-PEiuXMGwzeuXmvOs_myeF0EAfPsMqk-hIsybxk7-HnZaNWVUP_wPdnml0T6F0crGhYHMrge8zOLam6LU2LLJBiLsXfqaQU5R8SJl0iwUwuxQvZYAebQo_GOF9/s320/IMGP1391.e.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Relic from the Walk</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioAdmC_mfv_41Wp7rmkaYXXySclc3qxs2IuGS44hskKAmFesoOT6NDMTPMyTrSka-9I9VsXGFrk6AL0in6kb0jHzXHuttEbbtbGPAJXRlzYl94zwWrzWBP3LegNhLrAmnTfsfJDCNVY7Ud/s1600/IMGP1398.p.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioAdmC_mfv_41Wp7rmkaYXXySclc3qxs2IuGS44hskKAmFesoOT6NDMTPMyTrSka-9I9VsXGFrk6AL0in6kb0jHzXHuttEbbtbGPAJXRlzYl94zwWrzWBP3LegNhLrAmnTfsfJDCNVY7Ud/s320/IMGP1398.p.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Scenes from the Bicycle Ride</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Reflected</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiltfYMDT0tKN6kvNTKxKB8EayMqjLaIOctxJdoesfpqEx_zRtMBTbDXSAg3xy7i2a-Ck12ri9yvWI09V7x0l1J9Mc-KAh96AfL9CVpGzQjYTJGkK5Nw_9aTp8tkz_9OR_rIWNscJmYcK42/s1600/IMGP1392.e.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiltfYMDT0tKN6kvNTKxKB8EayMqjLaIOctxJdoesfpqEx_zRtMBTbDXSAg3xy7i2a-Ck12ri9yvWI09V7x0l1J9Mc-KAh96AfL9CVpGzQjYTJGkK5Nw_9aTp8tkz_9OR_rIWNscJmYcK42/s320/IMGP1392.e.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Shadows in the Forest</td></tr>
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Paul Rinaldihttp://www.blogger.com/profile/01623706487089863027noreply@blogger.com0tag:blogger.com,1999:blog-4209297660712538807.post-11320408236721919072011-08-24T18:49:00.001-07:002022-11-03T17:21:43.187-07:00A Walk -- 070710<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP9PNPAS_iB5PVyi4K1Ae0gyPbT6uWJ12K2uQQrZ90L0KAPi6HpHu3bmqXNJd4nXr38RSPHOyu6bf4Yajl9Cry3Gn9w7UXV7ew5Sr9XjGa0MotKfUijHHhOyXlH7_P8bt-rk7Utqz_J2xn/s1600/IMGP1225.e.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP9PNPAS_iB5PVyi4K1Ae0gyPbT6uWJ12K2uQQrZ90L0KAPi6HpHu3bmqXNJd4nXr38RSPHOyu6bf4Yajl9Cry3Gn9w7UXV7ew5Sr9XjGa0MotKfUijHHhOyXlH7_P8bt-rk7Utqz_J2xn/s320/IMGP1225.e.jpg" width="235" /></a></div><br />
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</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjii9FqNfhtQmBBXkVqzvMtIT4v4tEXsjKjMsAvVlPIb3PBpkRh13n0q26brvThPP59V4ZgX9Oc-vQb6d-NqH0PN-K7kOXw81EOtqXf1oQFoQyu-KDSYrAvySk0dg7Trh6TIQ6_FvPhWps6/s1600/IMGP1251.e.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjii9FqNfhtQmBBXkVqzvMtIT4v4tEXsjKjMsAvVlPIb3PBpkRh13n0q26brvThPP59V4ZgX9Oc-vQb6d-NqH0PN-K7kOXw81EOtqXf1oQFoQyu-KDSYrAvySk0dg7Trh6TIQ6_FvPhWps6/s320/IMGP1251.e.jpg" width="211" /></a></div><br />
Paul Rinaldihttp://www.blogger.com/profile/01623706487089863027noreply@blogger.com1tag:blogger.com,1999:blog-4209297660712538807.post-23742892855081899142011-08-04T08:35:00.000-07:002011-08-04T08:36:08.553-07:00Light Patterns<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjakedCJjkh8E3RxT-qiNKXBG137Xmjjk-78h_c0Q7fRgs8s6se0Bo3P57jWU2ZRUf3C3mOSCH8n5K1is4U8c5MCrlzy43Ld84osoHO2ivpwxhSG0Zr4_q9PB9wuMpgIChZg-lI7uCVhSfp/s1600/Cofee.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjakedCJjkh8E3RxT-qiNKXBG137Xmjjk-78h_c0Q7fRgs8s6se0Bo3P57jWU2ZRUf3C3mOSCH8n5K1is4U8c5MCrlzy43Ld84osoHO2ivpwxhSG0Zr4_q9PB9wuMpgIChZg-lI7uCVhSfp/s400/Cofee.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFpJuUkN6-PQgehrhxp93yAGIvIuVUOHZNUhyphenhyphenXlPn1Ip9NylyXf-3KqSfFijiIuwnMMwK8sxIkegnooz9GConev_7xBvo4IWOVRVVjiWxbful5un3U1387wdfv97Ca3Zin-bJgFmNQlIDy/s1600/F-11%252C+October+1992%252C+Cairo+%252812%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFpJuUkN6-PQgehrhxp93yAGIvIuVUOHZNUhyphenhyphenXlPn1Ip9NylyXf-3KqSfFijiIuwnMMwK8sxIkegnooz9GConev_7xBvo4IWOVRVVjiWxbful5un3U1387wdfv97Ca3Zin-bJgFmNQlIDy/s320/F-11%252C+October+1992%252C+Cairo+%252812%2529.jpg" width="214" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;">These photographs were taken while I was teaching in Egypt.</div>Paul Rinaldihttp://www.blogger.com/profile/01623706487089863027noreply@blogger.com0tag:blogger.com,1999:blog-4209297660712538807.post-38599847708521840552011-02-26T08:59:00.000-08:002011-02-26T08:59:18.017-08:00<a href="http://www.matthewmarks.com/artists/brice-marden/">Brice Marden at Matthew Marks Gallery</a>Paul Rinaldihttp://www.blogger.com/profile/01623706487089863027noreply@blogger.comtag:blogger.com,1999:blog-4209297660712538807.post-1709321982014482342011-02-26T06:15:00.000-08:002011-02-26T06:15:00.159-08:00 <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHYSUiGzwsh3CuPnR-fSdTFhoAzraS3LsaSMES6IrwnKPwpv9jVqaAOH2pR2GlErC53h35ifZhCPJ4JIbmLY5lHuodKTnxPyvh11eMifdVvnYo7pdOnYzEcab6oSLst78EbplMktf5Q6lK/s1600/Rinaldi%252C+Hide+and+Seek%252C+encaustic+on+panel%252C+18+x+54+in.%252C+2011.e.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="166" l6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHYSUiGzwsh3CuPnR-fSdTFhoAzraS3LsaSMES6IrwnKPwpv9jVqaAOH2pR2GlErC53h35ifZhCPJ4JIbmLY5lHuodKTnxPyvh11eMifdVvnYo7pdOnYzEcab6oSLst78EbplMktf5Q6lK/s400/Rinaldi%252C+Hide+and+Seek%252C+encaustic+on+panel%252C+18+x+54+in.%252C+2011.e.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><em>Hide and Seek,</em> encaustic on panel (triptych), 18" x 54", 2011</td></tr>
</tbody></table>Paul Rinaldihttp://www.blogger.com/profile/01623706487089863027noreply@blogger.com1tag:blogger.com,1999:blog-4209297660712538807.post-59698712163586198362011-02-05T08:09:00.000-08:002011-02-05T08:09:42.986-08:00Detroit Institute of Arts to Honor Artist William T. Williams with 2011 Alain Locke Award<a href="http://www.artdaily.org/index.asp?int_sec=2&int_new=44743">Detroit Institute of Arts to Honor Artist William T. Williams with 2011 Alain Locke Award</a>Paul Rinaldihttp://www.blogger.com/profile/01623706487089863027noreply@blogger.com0tag:blogger.com,1999:blog-4209297660712538807.post-54677961899029961712010-05-28T11:06:00.000-07:002010-05-28T11:06:18.294-07:00<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcfyQcUb5t1utlAXON-jmgNMHUjrqMdaem4QU6E-MD_yPpUsTVEWG2KZM8TUuCX71KpaWdWtKldRqQf_9TyoQTzJUaZZw_IXFS6An5fSfNC-cvy5f_WfT6pxk_XrWmHL9oM6tcTQNiCH6I/s1600/Rinaldi,+Variation+VI,+encaustic+on+panel,+16+x+25+in.,+2010.e.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" gu="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcfyQcUb5t1utlAXON-jmgNMHUjrqMdaem4QU6E-MD_yPpUsTVEWG2KZM8TUuCX71KpaWdWtKldRqQf_9TyoQTzJUaZZw_IXFS6An5fSfNC-cvy5f_WfT6pxk_XrWmHL9oM6tcTQNiCH6I/s320/Rinaldi,+Variation+VI,+encaustic+on+panel,+16+x+25+in.,+2010.e.jpg" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJw8dsxfbhkgmsE6CwdbT3JU0cNpjrMspuyAaA0N9K1Fipv51KyW5jDkewE8-Z2D8lHL55EJfbi5bIOC0YK0nATxG0EfFGBDB-NfUjzHPJRIpR044FQQFpOoqjsq1m8JThgjHWrQQUhAIy/s1600/Rinaldi,+Ascension+II,+encaustic,+26+x+18+in.,+2009.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" gu="true" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJw8dsxfbhkgmsE6CwdbT3JU0cNpjrMspuyAaA0N9K1Fipv51KyW5jDkewE8-Z2D8lHL55EJfbi5bIOC0YK0nATxG0EfFGBDB-NfUjzHPJRIpR044FQQFpOoqjsq1m8JThgjHWrQQUhAIy/s320/Rinaldi,+Ascension+II,+encaustic,+26+x+18+in.,+2009.jpg" width="217" /></a></div>Paul Rinaldihttp://www.blogger.com/profile/01623706487089863027noreply@blogger.com0tag:blogger.com,1999:blog-4209297660712538807.post-65270207054480500462010-05-28T09:25:00.000-07:002010-05-28T11:07:15.134-07:00Recent Paintings<img alt="" border="0" id="BLOGGER_PHOTO_ID_5476358359649832962" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQAebD1BZOv1sOGWjlWN4Sv3R_ZLgR9dzNPCeQ0u8aE9n_5Mfzkyjt0Fqk-FcJuILkl4me0M3y7GlUHVnjsJ-Tb7phs2PiOrOZGeiIuQv3Y1ObjYVchyphenhyphenyGnB-anYnKBreCAPu6mxvvtYz9/s400/Rinaldi,+Variation+IX,+encaustic+on+panel,+22+x+28+in.,+2010.e.jpg" style="cursor: hand; height: 346px; width: 400px;" /> <a href="http://www.paulrinaldi.net/">Paul Rinaldi Website</a><br />
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<div style="text-align: justify;">I’ve been making encaustic paintings, on and off, for 20 years, though for the past 2 years it has been my principle medium The word encaustic comes from Greek, and means to heat or burn in. Working with successive layers of molten wax, it is necessary to fuse the layers together with a heat source, such as a propane torch, or a heat gun. Beeswax serves as an ideal binder for pigment, and with proper care, encaustic paintings have an archival longevity that exceeds most other painting mediums. </div><div style="text-align: justify;"><span style="font-size: x-small;"><br />
</span></div><div style="text-align: justify;">The first encaustic paintings were produced in antiquity by the Greeks, yet among the earliest surviving examples are works dating from the 1rst century CE, produced in the desert oasis of Fayoum, Egypt. While teaching art in the 1990’s at the American University in Cairo, I came across many of the Fayoum “Portraits” that were created to preserve the identity of a deceased individual. These encaustic panels were originally placed over the head and wrapped in the mummy with cloth. While the portraits are somewhat stylized, they preserved with remarkable likeness the particular features of individuals—a consideration vital to the ancient Egyptian death ritual as individuals passed through to the afterlife.</div><div style="text-align: justify;"><span style="font-size: x-small;"><br />
</span></div><div style="text-align: justify;">I make my own paints—a mixture of raw pigments and beeswax, together with small proportions of dammar varnish, carnauba, and microcrystalline waxes that impart a degree of flexibility and resilience to the surface. The greatest advantage of making the paint is that I control the pigment load, and thus can adjust the relative opacity or transparency of the medium. Once the wax is heated to a molten state, I brush the paint onto a panel and alternate between building layers, fusing with heat, scraping and carving with various tools, and refining the surface with solvents. Surfaces are often achieved by veiling strong color structures with translucent layers of wax. I like to explore the boundaries between painting and sculpture, and I try to create a dynamic relationship between the visual illusion and the physicality of the object.</div><div style="text-align: justify;"><span style="font-size: x-small;"><br />
</span></div><div style="text-align: justify;">While the visual forms in my work grow out of a vocabulary of subtle tension developed by Modernist artists such at Piet Mondrian, Ad Reinhart, Barnett Newman, Agnes Martin, and others, it also speaks to my affinity for antique religious icons, shrines, temples, mosques, and other such objects and places of deep contemplation. I construct my images from memories of light, color, and space gleaned from these sorts of subjects. I very much like the idea that an artwork can function as a focus for human contemplation and reflection—that in some way, it can serve a gateway to both collective and individuated memory. To that end, I look to color to function as an indicator of place—sometimes particular and real, other times imagined.</div><div style="text-align: justify;"><span style="font-size: x-small;"></span><span style="font-size: x-small;"><br />
</span></div><div style="text-align: justify;">I want to produce work that collapses time, work that fuses the geometry and structures of the modern and contemporary world with an ancient, almost mystical painting technique. The logic of geometric forms is in some way countered, tempered, or challenged by the sensuality of the wax medium and the organic fusion of color and light. Visually, I want my paintings to speak musically through a crafting of shape, color, line, surface, and space. I’m acutely aware of how these elements repeat and vary through the structure, creating emphasis, and shifting foci, syncopation and rhythm, visual harmony and contrast. At the same time, I’m every bit as interested in the cleansing role of emptiness—the pause, the silence, the waiting, the sense of expectation.</div><br />
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<div></div>Paul Rinaldihttp://www.blogger.com/profile/01623706487089863027noreply@blogger.com0tag:blogger.com,1999:blog-4209297660712538807.post-62846590120581053802009-10-13T18:30:00.000-07:002009-10-13T18:32:40.152-07:00<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijI65ZLyS13JMC4UJQ62yIKz3h4Puvt8ode4uLBpXLmsTZBWfgpiqyTsleMe8IvMSzkak1xu6PeFlwnkEfhm8ygbA8eYEeayDwNAvVWjJqyGFi58k2SC5K_6oXxUqxTe_2bnfZy2uKXa91/s1600-h/Rinaldi,+Sensate+I,+encaustic,+2009.jpg"><img id="BLOGGER_PHOTO_ID_5392262438165638530" style="WIDTH: 353px; CURSOR: hand; HEIGHT: 400px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijI65ZLyS13JMC4UJQ62yIKz3h4Puvt8ode4uLBpXLmsTZBWfgpiqyTsleMe8IvMSzkak1xu6PeFlwnkEfhm8ygbA8eYEeayDwNAvVWjJqyGFi58k2SC5K_6oXxUqxTe_2bnfZy2uKXa91/s400/Rinaldi,+Sensate+I,+encaustic,+2009.jpg" border="0" /></a><br /><div></div>Paul Rinaldihttp://www.blogger.com/profile/01623706487089863027noreply@blogger.com0